"Can people ever really change?"
This episode dealt with another deep and universal theme: trust. Throughout "Trash" the viewer is convinced that Mal and his crew are bumbling idiots, buying into the wily Saffron's schemes and getting played by her. That's right: Mal's ex-"wife" is back, and she's tricked him again--or has she? Mal, Inara, and the rest of the crew are one step ahead of her the whole way, and in playing them, Saffron herself gets played (and stuck in a dumpster).
"Trash" was a fun episode to watch, but it did not deal with its theme quite as well as it could have. There were poignant moments, to be sure, but I felt that the discussion was a bit repetitive. One of Saffron's ex-husbands, Duran, also seems to be naïve enough to fall for her scheming, but he also plays her in pretending to accept her selfish plot. The only person who trusts Saffron is one of her new husbands, another smuggler named Monty. This trust is only due to the fact that Saffron has not shown him her true colors just yet.
Although the interactions that Saffron has with both Duran and Mal are very similar, they do speak to very genuine themes of trust. As Saffron asked Mal, do people ever change? Is it naïve to hope for renewal in relationships, or is trust once broken never the same? Both Duran and Mal seem to agree that Saffron needed a watchful eye. As soon as he saw her, Duran called the feds; before Mal accepted her plan, he had backup.
What should our response to this theme be as Christians? To be honest, though I cannot claim that this is the most Christlike response possible, I side with Mal. We must be gentle as doves, yes, but we must also be wise as serpents. Saffron has viciously attacked Mal, his crew, and his ship. To trust her would be to err in a very foolish manner. I was wary this whole episode, on pins and needles waiting for her to slip up in her plan or to somehow wound one of the crew. Of course things ended well--it is a TV show, after all--but I believe that Mal and Duran were justified in their watchfulness.
Monday, April 27, 2015
Firefly Reflection: Episode Twelve
River has outdone herself. Firefly has outdone itself.
This episode was by far one of the most entertaining and interesting of the series. Focusing on River's troubled mind as she perceives and hears the thoughts and feelings of the crew, we witness her torment, caused by their judgement and wariness of her. It is determined that River must be bolted into her quarters, just in case she does something dangerous again--like picking up a loaded gun.
Although entertaining, this episode once again failed to focus on a modern issue. However, I don't believe that this is a failure; we have centered our class around science fiction as a method of discussion for current issues, but that is not the focus of Firefly. Instead, the show is character driven, focused on the development of people and leaving strong moral lessons behind with each episode. That being said, I cannot argue that this episode was particularly worthwhile as a moral instructor. Instead, it was just a fun watch, examining River's mind and witnessing her strengths.
Though not a discussion of an issue or even an ethical depository, this episode was both entertaining and catalytic in driving characters forward. Because of River's psychic abilities, we learn the thoughts and feelings of characters that are not blatantly put forward in their words and actions. We see that the Alliance is still strongly on the hunt for the Tams, and we witness an example of the ruthless bounty hunters out to find them and get their reward. We see the danger and the strengths of River's abilities, as she finds herself holding a loaded gun and as she saves herself and her brother from the hunter on the ship, Jubal Early.
I had fun watching this episode, for it was truly an enjoyable 45 minutes, but I cannot pretend that it served my specific purposes in this class.
This episode was by far one of the most entertaining and interesting of the series. Focusing on River's troubled mind as she perceives and hears the thoughts and feelings of the crew, we witness her torment, caused by their judgement and wariness of her. It is determined that River must be bolted into her quarters, just in case she does something dangerous again--like picking up a loaded gun.
Although entertaining, this episode once again failed to focus on a modern issue. However, I don't believe that this is a failure; we have centered our class around science fiction as a method of discussion for current issues, but that is not the focus of Firefly. Instead, the show is character driven, focused on the development of people and leaving strong moral lessons behind with each episode. That being said, I cannot argue that this episode was particularly worthwhile as a moral instructor. Instead, it was just a fun watch, examining River's mind and witnessing her strengths.
Though not a discussion of an issue or even an ethical depository, this episode was both entertaining and catalytic in driving characters forward. Because of River's psychic abilities, we learn the thoughts and feelings of characters that are not blatantly put forward in their words and actions. We see that the Alliance is still strongly on the hunt for the Tams, and we witness an example of the ruthless bounty hunters out to find them and get their reward. We see the danger and the strengths of River's abilities, as she finds herself holding a loaded gun and as she saves herself and her brother from the hunter on the ship, Jubal Early.
I had fun watching this episode, for it was truly an enjoyable 45 minutes, but I cannot pretend that it served my specific purposes in this class.
Sunday, April 26, 2015
Firefly Reflection: Episode Eleven
"Heart of Gold", the most western of this space-western series, was one of my favorite episodes yet. I found it high-paced and entertaining, with enough solemnity and character development to keep me emotionally invested. The one thing I could have done without in this episode is Jayne's lecherous behavior once in the brothel. This episode had more than enough sex without including his romps.
I would argue that this episode dealt--and dealt well with--the issue of misogyny. Because this barren western town on a vague planet in space with its patriarchal structure was enough removed from our modern America, this discussion could be (and was) very straightforward. "Heart of Gold" did not dance around the issue of misogyny, but exposed and condemned it.
In this episode men, particularly the whim-abiding Rance Burgess, were seen verbally, physically, and sexually abusing women. Some of these women fought the abuse. The brothel's owner, Nandi, had taken over its ownership from a man who ran it like a dumb and treated his employees horribly. Once her baby was safe and secured, Petaline walked up to her ex-client, Rance, and shot him in the head. (In my own, I could hear the cheers of misandristic feminists.) One other displayed more internalized misogyny, selling the secrets and whereabouts of her sisters from the brothel in exchange for a bag of silver...and forced sexual favors. This girl, though she looked disgusted by her public degradation, accepted the abuse. These goings on were clearly displayed as what they were: episodes of abuse from men, imposed on their female subjects.
"She understands a whore's place, don't she? ...Let us all remember, right here and now, what a woman is to a man!" These shudder-worthy phrases were made by Rance, blatantly displaying his sexism and violence.
Even the crew was not guiltless. As mentioned above, Jayne was delighted to find himself in a brothel, with scores of women at his fingertips. That being said, the others kept their hands to themselves--until a tipsy Mal was propositioned by Nandi, an encounter that later made Inara cry.
I believe that the issue of misogyny was dealt with well because, though spelled out neatly for the audience, it was in a time and place well removed from our own. Despite this distance, the manner was similar, and enough to spark recognition in those watching.
I would argue that this episode dealt--and dealt well with--the issue of misogyny. Because this barren western town on a vague planet in space with its patriarchal structure was enough removed from our modern America, this discussion could be (and was) very straightforward. "Heart of Gold" did not dance around the issue of misogyny, but exposed and condemned it.
In this episode men, particularly the whim-abiding Rance Burgess, were seen verbally, physically, and sexually abusing women. Some of these women fought the abuse. The brothel's owner, Nandi, had taken over its ownership from a man who ran it like a dumb and treated his employees horribly. Once her baby was safe and secured, Petaline walked up to her ex-client, Rance, and shot him in the head. (In my own, I could hear the cheers of misandristic feminists.) One other displayed more internalized misogyny, selling the secrets and whereabouts of her sisters from the brothel in exchange for a bag of silver...and forced sexual favors. This girl, though she looked disgusted by her public degradation, accepted the abuse. These goings on were clearly displayed as what they were: episodes of abuse from men, imposed on their female subjects.
"She understands a whore's place, don't she? ...Let us all remember, right here and now, what a woman is to a man!" These shudder-worthy phrases were made by Rance, blatantly displaying his sexism and violence.
Even the crew was not guiltless. As mentioned above, Jayne was delighted to find himself in a brothel, with scores of women at his fingertips. That being said, the others kept their hands to themselves--until a tipsy Mal was propositioned by Nandi, an encounter that later made Inara cry.
I believe that the issue of misogyny was dealt with well because, though spelled out neatly for the audience, it was in a time and place well removed from our own. Despite this distance, the manner was similar, and enough to spark recognition in those watching.
Friday, April 24, 2015
Firefly Reflection: Episode Ten
Yet again we question Mal's morality, and yet again he is confronted--and contrasted--with the infamous Niska. Once more, this is because one of his crew members has challenged Mal's goodness. Wash has become offended by the close working relationship Mal shares with his wife, Zoe, and wants to put himself in Zoe's place during upcoming missions to separate the two.
This venture goes sour when Niska kidnaps Mal and Wash and begins torturing them as punishment for not completing his earlier mission for them. Although tormented, Mal and Wash find time to argue about the danger Zoe is consistently exposed to by Mal, as well as her continued faithful obedience to him. Here I see the first theme raised, though it seems to be more personal than general.
What is the appropriate degree of intimacy between two adults of the opposite sex, one or more of whom may be in relationships with others? Certainly every adult and couple must come to this conclusion on their own, so Firefly's discussion of the topic, though thoughtful and weight-bearing, was subjective. However relative, I would argue that this discussion was enacted effectively, bringing up the topic in a clear manner, showcasing the bitterness and discomfort that a bad solution can bring, and closing the conversation with a graceful resolution.
Towards the end of the episode, before their daring rescue of Mal from Niska's ship, we see that every member of the crew is willing to sacrifice themself for the captain, secure in the knowledge that he would do the same for them. Though I commend this behavior and fully believe it clears Mal's name and honor well, a second personal issue was raised for me here.
This high stakes, high tension shootout was by far the most entertaining and thrilling part of the episode. That being said, it was also the most morally challenging for me because it was so violent. Again, this issue is personal, but it seems that Dr. Tam had some problems shooting others as well. (He had never done so before, and as Shepherd Book mentioned, he didn't even succeed when he tried.) I am personally conflicted by the issues of violence and pacifism, and this shootout was anything but peaceful. Simon's conflict seemed to mirror mine, though, and I'm sure that others watching the show may have been mollified by that fact, as well.
This venture goes sour when Niska kidnaps Mal and Wash and begins torturing them as punishment for not completing his earlier mission for them. Although tormented, Mal and Wash find time to argue about the danger Zoe is consistently exposed to by Mal, as well as her continued faithful obedience to him. Here I see the first theme raised, though it seems to be more personal than general.
What is the appropriate degree of intimacy between two adults of the opposite sex, one or more of whom may be in relationships with others? Certainly every adult and couple must come to this conclusion on their own, so Firefly's discussion of the topic, though thoughtful and weight-bearing, was subjective. However relative, I would argue that this discussion was enacted effectively, bringing up the topic in a clear manner, showcasing the bitterness and discomfort that a bad solution can bring, and closing the conversation with a graceful resolution.
Towards the end of the episode, before their daring rescue of Mal from Niska's ship, we see that every member of the crew is willing to sacrifice themself for the captain, secure in the knowledge that he would do the same for them. Though I commend this behavior and fully believe it clears Mal's name and honor well, a second personal issue was raised for me here.
This high stakes, high tension shootout was by far the most entertaining and thrilling part of the episode. That being said, it was also the most morally challenging for me because it was so violent. Again, this issue is personal, but it seems that Dr. Tam had some problems shooting others as well. (He had never done so before, and as Shepherd Book mentioned, he didn't even succeed when he tried.) I am personally conflicted by the issues of violence and pacifism, and this shootout was anything but peaceful. Simon's conflict seemed to mirror mine, though, and I'm sure that others watching the show may have been mollified by that fact, as well.
Wednesday, April 22, 2015
Firefly Reflection: Episode Nine
How does one justify what is morally right? And why is it sometimes that when one follows the law, it seems less ethical than breaking it? Why do we dislike Jayne for making plans with the police, but support Simon and River for running from the law? Why does it seem just for Mal to threaten Jayne's life and position, although he only abided by the rules of his government?
I believe that if more people were willing to consider these questions, to push the envelope of vaguely held beliefs and ideals, and to challenge why they have the morals that they do, we would all come to one of two conclusions. The first: there is no objective morality, and each must decide on their own what is right and wrong in the context of their lives. The second: morality is objective, and that morality must include a lawmaker outside of all governments and higher than all peoples.
The first is a superficial belief, and although this episode does not explicitly mention a relative moral code, I believe it does a good job of shutting down that belief. When the viewer learns that Jayne has made a deal with the Alliance feds, he or she is very likely to feel anger and betrayal. Jayne has denied two members of his crew, and is trying to sell them back into very dangerous situations in order to secure a large sum of money. The immorality of this holds true throughout the episode. The viewer is not alone in his or her anger, because Mal challenges Jayne's actions by knocking him out and threatening to end his life.
The values held in the highest regard here are loyalty and faithfulness. There is an overarching belief that these values are above even the most lawful actions: reporting two runaways to the feds. It is clear that, as Mal says, Simon and River Tam are part of the crew--really treated as a more of a family--and to betray them is treachery.
If upholding these values has more weight to all involved than following the law does, they must be outside of the realm of government and of law itself. They are objective, spanning all people, and they are above other principles. So where do they come from? If not the law, surely they must have a source above and outside of the general population. These are metaphysical questions, thoughts that, to a Christian, must result in a defense of God. Firefly did not arrive at that point, but through the fine discussion of morality in this episode, I did.
I believe that if more people were willing to consider these questions, to push the envelope of vaguely held beliefs and ideals, and to challenge why they have the morals that they do, we would all come to one of two conclusions. The first: there is no objective morality, and each must decide on their own what is right and wrong in the context of their lives. The second: morality is objective, and that morality must include a lawmaker outside of all governments and higher than all peoples.
The first is a superficial belief, and although this episode does not explicitly mention a relative moral code, I believe it does a good job of shutting down that belief. When the viewer learns that Jayne has made a deal with the Alliance feds, he or she is very likely to feel anger and betrayal. Jayne has denied two members of his crew, and is trying to sell them back into very dangerous situations in order to secure a large sum of money. The immorality of this holds true throughout the episode. The viewer is not alone in his or her anger, because Mal challenges Jayne's actions by knocking him out and threatening to end his life.
The values held in the highest regard here are loyalty and faithfulness. There is an overarching belief that these values are above even the most lawful actions: reporting two runaways to the feds. It is clear that, as Mal says, Simon and River Tam are part of the crew--really treated as a more of a family--and to betray them is treachery.
If upholding these values has more weight to all involved than following the law does, they must be outside of the realm of government and of law itself. They are objective, spanning all people, and they are above other principles. So where do they come from? If not the law, surely they must have a source above and outside of the general population. These are metaphysical questions, thoughts that, to a Christian, must result in a defense of God. Firefly did not arrive at that point, but through the fine discussion of morality in this episode, I did.
Wednesday, April 15, 2015
Firefly Reflection: Episode Seven
"It's my estimation that every man ever got a statue made of him was one kinda son of a bitch or another."
Mal's comment, likely astute, was made to comfort Jayne after an entire town of people had celebrated our beloved space cowboy as a flawless hero by building a statue in his honor and writing folk songs in his name. Jayne, although he relished the attention at first, had been confronted by a man from his past life who spoke honestly to Jayne about his dark and sinful past. When one of the townspeople dove in front of this man's bullet, meant to hit Jayne, Jayne saw himself very clearly and was crushed by their selfless adoration of him.
This episode had many wonderful moments of entertainment. From the budding mutual crush between Kaylee and Simon to River's fear upon seeing Shepherd Book's impressive--and usually hidden--afro to the astonishment of the whole crew once they realize Jayne had selfless moments in his past life, it was very fun and interesting to watch. I would consider it one of my favorites in the realm of entertainment thus far.
I would also rate this episode high in its application and discussion of a specific theme--in this case, heroism. Watching a town acclaim Jayne, the violent space cowboy, as a hero, brought up many questions, aptly dealt with during the episode. By the end it is clear that their beloved Jayne Cobb is really an antihero, just as human and self-serving as any other human. And yet, even after this is revealed, the townspeople still chose to worship him. Why?
As Mal points out to the disheartened and guilty Jayne, sometimes people need someone to adore. It is not truly because that person is a perfect individual (and often, they are quite far from it), but it is because of an ideal that their "hero" represents for one reason or another. The men and women that we idolize are just that--only men, and mortal and flawed ones at that.
Mal's comment, likely astute, was made to comfort Jayne after an entire town of people had celebrated our beloved space cowboy as a flawless hero by building a statue in his honor and writing folk songs in his name. Jayne, although he relished the attention at first, had been confronted by a man from his past life who spoke honestly to Jayne about his dark and sinful past. When one of the townspeople dove in front of this man's bullet, meant to hit Jayne, Jayne saw himself very clearly and was crushed by their selfless adoration of him.
This episode had many wonderful moments of entertainment. From the budding mutual crush between Kaylee and Simon to River's fear upon seeing Shepherd Book's impressive--and usually hidden--afro to the astonishment of the whole crew once they realize Jayne had selfless moments in his past life, it was very fun and interesting to watch. I would consider it one of my favorites in the realm of entertainment thus far.
I would also rate this episode high in its application and discussion of a specific theme--in this case, heroism. Watching a town acclaim Jayne, the violent space cowboy, as a hero, brought up many questions, aptly dealt with during the episode. By the end it is clear that their beloved Jayne Cobb is really an antihero, just as human and self-serving as any other human. And yet, even after this is revealed, the townspeople still chose to worship him. Why?
As Mal points out to the disheartened and guilty Jayne, sometimes people need someone to adore. It is not truly because that person is a perfect individual (and often, they are quite far from it), but it is because of an ideal that their "hero" represents for one reason or another. The men and women that we idolize are just that--only men, and mortal and flawed ones at that.
Tuesday, April 7, 2015
Firefly Reflection: Episode Six
"Our Mrs. Reynolds" is the seemingly naive "Saffron", who fiendishly performs a marriage ceremony with the unknowing Mal while the Serenity crew is visiting a nearby planet. She thus finds an excuse to stow away on the ship, building a very innocent cover to trick the crew, steal a shuttle, and lead them into a web set to catch the ship.
This episode seems to further the character development of the show, but I believe that attempt only served to stall it. After "Saffron" poisons Mal with a kiss and fails an attempt to similarly poison Inara, the companion rushes to Mal's unconscious side and passionately delivers a kiss to his poisoned lips. At the end of the episode, Mal challenged Inara, saying that he knew she wasn't truly unconscious because she had fallen or been knocked out. Inara agrees, and Mal chuckles that he knew Inara had kissed "Saffron". This side storyline made a guise at furthering the tension between Mal and Inara, but it really only served to further stall the development of their relationship. That being said, Inara's true feelings are now more clear, and thus an infinitesimal step was made.
Mal's ethics again seem to leave the viewer baffled. When he first recognized "Saffron" as a stowaway and heard her explanation of their "marriage", he reacted as if the whole thing were ridiculous, thus seeming to deeply wound her. After an admonition from Shepherd Book, however, Mal began to treat his "wife" with the utmost kindness, seeking to accept her offers in order to avoid offense. He also put a great deal of effort into avoiding her seduction attempts, even staring down her naked body and delivering an emphatic "no!" However, his young "wife" weakened him, and when she kissed him at last, he kissed back, allowing his own poisoning.
So is Mal good or bad? Like all other people, I believe that he is innately bad, but that he possesses certain degrees of kindness and morality that at times cause him to act rightly. The creators of the show may speak differently about mankind's innate goodness or evil, but I believe that ultimately the message comes across: he is neither good nor bad, yet he is both at once.
This was a good episode, though certainly not my favorite. I feel that the character development fell short, and watching "Saffron" play the naive and rejected "wife" was naturally uncomfortable. The most enjoyable moments were those displaying Jayne's love for one specific gun. His character is a humorous and caricatured space cowboy, and I believe that although he is not the most central of persons on the show, he certainly sums up the genre.
This episode seems to further the character development of the show, but I believe that attempt only served to stall it. After "Saffron" poisons Mal with a kiss and fails an attempt to similarly poison Inara, the companion rushes to Mal's unconscious side and passionately delivers a kiss to his poisoned lips. At the end of the episode, Mal challenged Inara, saying that he knew she wasn't truly unconscious because she had fallen or been knocked out. Inara agrees, and Mal chuckles that he knew Inara had kissed "Saffron". This side storyline made a guise at furthering the tension between Mal and Inara, but it really only served to further stall the development of their relationship. That being said, Inara's true feelings are now more clear, and thus an infinitesimal step was made.
Mal's ethics again seem to leave the viewer baffled. When he first recognized "Saffron" as a stowaway and heard her explanation of their "marriage", he reacted as if the whole thing were ridiculous, thus seeming to deeply wound her. After an admonition from Shepherd Book, however, Mal began to treat his "wife" with the utmost kindness, seeking to accept her offers in order to avoid offense. He also put a great deal of effort into avoiding her seduction attempts, even staring down her naked body and delivering an emphatic "no!" However, his young "wife" weakened him, and when she kissed him at last, he kissed back, allowing his own poisoning.
So is Mal good or bad? Like all other people, I believe that he is innately bad, but that he possesses certain degrees of kindness and morality that at times cause him to act rightly. The creators of the show may speak differently about mankind's innate goodness or evil, but I believe that ultimately the message comes across: he is neither good nor bad, yet he is both at once.
This was a good episode, though certainly not my favorite. I feel that the character development fell short, and watching "Saffron" play the naive and rejected "wife" was naturally uncomfortable. The most enjoyable moments were those displaying Jayne's love for one specific gun. His character is a humorous and caricatured space cowboy, and I believe that although he is not the most central of persons on the show, he certainly sums up the genre.
Wednesday, April 1, 2015
Firefly Reflection: Episode Five
Stick a varied cast of characters with a varied set of professions on one spaceship. Watch what happens. Firefly is heavily character-driven, and at this point it comes as no surprise that I love that. As I have gotten further into the series, my focus has begun to change from Mal and Inara to the other characters. Each has his job, his personality, and his own set of problems. This episode, "Safe", honed in on Shepherd Book and Simon, the young doctor, characters who have as yet remained relatively unexplored. I enjoyed the episode, and found it quite entertaining.
Shepherd Book was critically injured during a shootout between outlaws who had bought Mal's cattle and the local planetary law enforcement. Simultaneously, Simon and River were kidnapped by locals because of their desperation for a doctor. As the siblings struggle, we see flashbacks to his childhood with River, and to his distress when he realized she was being tortured at her school. In these flashbacks we see the change in River, and how she began to get better once she was in the village. It is amazing how much more sane she seemed to be. Even then, though, River was still able to see into others' minds. Because of this, the townspeople deem her a witch, and she is sentenced to be burnt at the stake.
During this time, the ship is in crisis mode. Due to Simon's absence on Serenity, Mal was forced to bring Shepherd Book to an Alliance ship's infirmary, risking their interference upon Serenity and among his crew. It seems apparent that Book has some sort of Alliance connection, something that causes Mal concern and wonder.
This episode may be my favorite so far because of the theme of sacrifice, and the true agape love that Simon displays for his sister. Through his flashbacks, we see that Simon became estranged from his family in order to save his sister. Not only did he sacrifice his family, but he also willingly became an outlaw for her sake. And once the townpeople sentence her to be burnt alive as a witch, Simon gives his life to die alongside hers.
Thankfully, the "big damn heroes" of Serenity swoop in at the last moment, saving the Tams from the very flames. I believe that this furthers my hypothesis about Mal: his name, "bad" in the Latin, is a contradiction. He is faithful to his crew. This faithfulness and sacrifice, on the parts of both Simon and Mal, made me emotional and brought home a very touching theme.
Shepherd Book was critically injured during a shootout between outlaws who had bought Mal's cattle and the local planetary law enforcement. Simultaneously, Simon and River were kidnapped by locals because of their desperation for a doctor. As the siblings struggle, we see flashbacks to his childhood with River, and to his distress when he realized she was being tortured at her school. In these flashbacks we see the change in River, and how she began to get better once she was in the village. It is amazing how much more sane she seemed to be. Even then, though, River was still able to see into others' minds. Because of this, the townspeople deem her a witch, and she is sentenced to be burnt at the stake.
During this time, the ship is in crisis mode. Due to Simon's absence on Serenity, Mal was forced to bring Shepherd Book to an Alliance ship's infirmary, risking their interference upon Serenity and among his crew. It seems apparent that Book has some sort of Alliance connection, something that causes Mal concern and wonder.
This episode may be my favorite so far because of the theme of sacrifice, and the true agape love that Simon displays for his sister. Through his flashbacks, we see that Simon became estranged from his family in order to save his sister. Not only did he sacrifice his family, but he also willingly became an outlaw for her sake. And once the townpeople sentence her to be burnt alive as a witch, Simon gives his life to die alongside hers.
Thankfully, the "big damn heroes" of Serenity swoop in at the last moment, saving the Tams from the very flames. I believe that this furthers my hypothesis about Mal: his name, "bad" in the Latin, is a contradiction. He is faithful to his crew. This faithfulness and sacrifice, on the parts of both Simon and Mal, made me emotional and brought home a very touching theme.
Wednesday, March 25, 2015
Firefly Reflection: Episode Four
"You have a strange sense of nobility, Captain. You'll lay a man out for implying I'm a whore but you keep calling me one to my face."
The focus of this episode is on Mal and Inara's relationship and interactions. Mal has continuously implied that Inara is simply a whore, and yet he fights a duel in an attempt to defend her honor. He secures much more than this. Because of this sword fight, Mal has the opportunity to communicate to Inara his respect for her, and to obtain the property he has been hired to scavenge.
The sexual tension between Mal and Inara is painfully obvious, leaving no room for subtlety. Rather than peacefully doing his job at a party and winning the property he sought, Mal lands a punch squarely in the jaw of the rich man (Atherton) who wanted Inara as his personal companion. This foolhardy action lands Mal at the mercy of Atherton's blade.
Accidentally accepting the challenged sword fight means that Mal has little time to hone his narrow knowledge of dueling. Inara, deeply worried about the captain, visits him secretly in the night to help him prepare. In a rare vulnerable moment, Mal begs Inara not to leave Serenity for Atherton. This moment is my favorite of the episode, because the hard and cocky shell that Mal has constructed for years is finally worn away by his fear and desire. He is honest, telling Inara that although he may not respect her job like Atherton does, he respects and sees her as a person.
During the duel, things look bad for Mal. Furthering the character and relational development of the episode, Inara offers herself to Atherton, promising to stay as his companion if only he spares Mal's life. Mal bares his metaphorical fangs and downs Atherton, winning the duel but refusing to kill him.
As the episode draws to a close, another tender moment seals this episode as a winner in the realm of character development. Inara and Mal sit together for wine, looking over their cargo of scavenged cattle. (Only in a space western would cows seem altogether fitting on a space ship!) Inara opens up to Mal a bit further. "I wasn't gonna stay, you know...Why would I want to leave Serenity?" "Why indeed?" They smile, things feel mushy, and the episode draws to a close.
The focus of this episode is on Mal and Inara's relationship and interactions. Mal has continuously implied that Inara is simply a whore, and yet he fights a duel in an attempt to defend her honor. He secures much more than this. Because of this sword fight, Mal has the opportunity to communicate to Inara his respect for her, and to obtain the property he has been hired to scavenge.
The sexual tension between Mal and Inara is painfully obvious, leaving no room for subtlety. Rather than peacefully doing his job at a party and winning the property he sought, Mal lands a punch squarely in the jaw of the rich man (Atherton) who wanted Inara as his personal companion. This foolhardy action lands Mal at the mercy of Atherton's blade.
Accidentally accepting the challenged sword fight means that Mal has little time to hone his narrow knowledge of dueling. Inara, deeply worried about the captain, visits him secretly in the night to help him prepare. In a rare vulnerable moment, Mal begs Inara not to leave Serenity for Atherton. This moment is my favorite of the episode, because the hard and cocky shell that Mal has constructed for years is finally worn away by his fear and desire. He is honest, telling Inara that although he may not respect her job like Atherton does, he respects and sees her as a person.
During the duel, things look bad for Mal. Furthering the character and relational development of the episode, Inara offers herself to Atherton, promising to stay as his companion if only he spares Mal's life. Mal bares his metaphorical fangs and downs Atherton, winning the duel but refusing to kill him.
As the episode draws to a close, another tender moment seals this episode as a winner in the realm of character development. Inara and Mal sit together for wine, looking over their cargo of scavenged cattle. (Only in a space western would cows seem altogether fitting on a space ship!) Inara opens up to Mal a bit further. "I wasn't gonna stay, you know...Why would I want to leave Serenity?" "Why indeed?" They smile, things feel mushy, and the episode draws to a close.
Wednesday, March 11, 2015
Firefly Reflection: Episode Eight
I'm four episodes ahead tonight. Oops. After being assigned to watch episode eight for class, I chose to write my reflection immediately rather than waiting to enter it chronologically. So I'm skipping around a bit. Forgive me.
As far as entertainment goes, this episode was, as usual, great. I found the mixed storylines (many of the scenes were out of chronological order) and the recap of Serenity's history, as well as the threat of her eternal loss, to be relatively gripping. I say relatively because of course everything was alright in the end--it's a TV show. What more can we expect?
I believe that this episode discusses commitment, and does so with aplomb. Were the scenes strung together linearly, we would have seen Mal's journey with his ship, Serenity, in chronological order. From his "love at first sight" purchase of the broken, run down thing, to his firing of a mechanic in favor of the man's girlish lover and her talent, to his refusal to leave the ship's side, to his heroic last-ditch effort to save and protect her, Mal is dedicated. He will not give up, not if bullies or engine failure or a near-death wound try to make him.
I think that Mal's dedication and commitment to his ship are admirable, and present this theme or concept in practical, applicable terms. Once you make a promise, you keep it--you don't leave. It's that simple. Your life on the line, it is duty and responsibility that call you to stay true to your word and to those in your keeping.
I do not think that this episode moved the story arc forward, not really, but it certainly did further character development. Although Mal was labeled "bad" just a few episodes previously, he continues to prove himself and to earn my respect. I find his actions remarkable and praiseworthy, though his occupation still troubles me some. Because I am partial to the progression of character development, even at the cost of the storyline, I liked this episode quite a bit and would recommend it to others.
As far as entertainment goes, this episode was, as usual, great. I found the mixed storylines (many of the scenes were out of chronological order) and the recap of Serenity's history, as well as the threat of her eternal loss, to be relatively gripping. I say relatively because of course everything was alright in the end--it's a TV show. What more can we expect?
I believe that this episode discusses commitment, and does so with aplomb. Were the scenes strung together linearly, we would have seen Mal's journey with his ship, Serenity, in chronological order. From his "love at first sight" purchase of the broken, run down thing, to his firing of a mechanic in favor of the man's girlish lover and her talent, to his refusal to leave the ship's side, to his heroic last-ditch effort to save and protect her, Mal is dedicated. He will not give up, not if bullies or engine failure or a near-death wound try to make him.
I think that Mal's dedication and commitment to his ship are admirable, and present this theme or concept in practical, applicable terms. Once you make a promise, you keep it--you don't leave. It's that simple. Your life on the line, it is duty and responsibility that call you to stay true to your word and to those in your keeping.
I do not think that this episode moved the story arc forward, not really, but it certainly did further character development. Although Mal was labeled "bad" just a few episodes previously, he continues to prove himself and to earn my respect. I find his actions remarkable and praiseworthy, though his occupation still troubles me some. Because I am partial to the progression of character development, even at the cost of the storyline, I liked this episode quite a bit and would recommend it to others.
Wednesday, March 4, 2015
Firefly Reflection: Episode Three
"We're all running from something, I suppose." Inara to Simon
This episode focuses on a young man who was running from his own memories after he witnessed an attack by Reavers, people who have wandered the edges of space and become horribly gruesome rapists and murderers. After watching his family and thirteen others be brutalized and killed, his own mind turned on him. During this episode, his whole demeanor changes from that of a frightened child to a purely evil creature. He becomes the darkness and hatred that he was forced to witness.
I don't necessarily think that this concept parallels a modern issue, but it certainly presents an interesting psychological and perhaps even theological dilemma. Does exposure to evil and darkness somehow taint us? Some claim that violent video games can warp minds and turn children into killers who perpetrate school shootings. Whether or not this claim is accurate (evidence varies on the topic), it does seem clear that as Christians, we should use caution in choosing what we see and hear.
Tyler Joseph of the popular music group twenty one pilots commented on the topic on his Twitter account, saying, "Evil is really 'in' right now. I'm all for darkness. But a shred of hope is vital." As a follower of Christ, I can experience and learn about dark things, but I should not allow myself to be ensconced in those things. Some exposure to light, some hope in the darkness, must always be including in the media that I partake of. Thankfully, this show itself is not all dark and hopeless.
An interesting note that furthers the character development and plot is that River Tam clearly had a psychological or mental question with the man who became a Reaver. Her emotions were heavily connected to his and you could see pain, suffering, and fear in her reactions.
As far as entertainment value in this episode, I was holding my breath near the end. It built a lot of suspense and though it was not my favorite episode so far, it was very interesting.
This episode focuses on a young man who was running from his own memories after he witnessed an attack by Reavers, people who have wandered the edges of space and become horribly gruesome rapists and murderers. After watching his family and thirteen others be brutalized and killed, his own mind turned on him. During this episode, his whole demeanor changes from that of a frightened child to a purely evil creature. He becomes the darkness and hatred that he was forced to witness.
I don't necessarily think that this concept parallels a modern issue, but it certainly presents an interesting psychological and perhaps even theological dilemma. Does exposure to evil and darkness somehow taint us? Some claim that violent video games can warp minds and turn children into killers who perpetrate school shootings. Whether or not this claim is accurate (evidence varies on the topic), it does seem clear that as Christians, we should use caution in choosing what we see and hear.
Tyler Joseph of the popular music group twenty one pilots commented on the topic on his Twitter account, saying, "Evil is really 'in' right now. I'm all for darkness. But a shred of hope is vital." As a follower of Christ, I can experience and learn about dark things, but I should not allow myself to be ensconced in those things. Some exposure to light, some hope in the darkness, must always be including in the media that I partake of. Thankfully, this show itself is not all dark and hopeless.
An interesting note that furthers the character development and plot is that River Tam clearly had a psychological or mental question with the man who became a Reaver. Her emotions were heavily connected to his and you could see pain, suffering, and fear in her reactions.
As far as entertainment value in this episode, I was holding my breath near the end. It built a lot of suspense and though it was not my favorite episode so far, it was very interesting.
Wednesday, February 25, 2015
Firefly Reflection: Episode Two
"Mal. 'Bad', in the Latin."
This comment from River, the gifted and tortured young girl stowing away aboard the Serenity, brought my focus during this episode to Captain Mal Reynolds and his moral character. Soon after River comments upon the meaning of his name, Mal tells the Pastor taking passage on the Serenity (Shepherd Book) that he has room for a pastor on his ship, but not for God. Although this statement does not signify the way Mal lives his life, it says a lot about his beliefs. Following this scene, Mal challenges the moral behavior of the ship's visiting prostitute--or "companion"--although he himself is a professional thief and outlaw. Does this mean that he has a moral compass, or that he's hypocritical? Time will tell. Early in the episode, Mal told Shepherd Book that he was allowing River and Simon Tam to stay aboard because it's "the right thing to do." Jayne, however, threatens this comment by telling Kaylee that Mal "has a move he ain't made yet" and that Mal is considering trading the Tams in for a profit. Again, this suggests that Mal is conniving and self-centered. But is he?
The newest character introduced in this episode was a man named Adelai Niska, a kingpin whose evil deeds make Mal look like a fairy godmother or some other benevolent creature. Was Niska's purpose to foil the viewer's increasing confusion about Mal's character? If so, Whedon certainly succeeded with this devilish man.
As it turns out, the evil Niska hired Mal and his crew to steal medicine that was on a train, bound for sick people who desperately needed it. Mal's response to learning this? "Son of a bitch." The man has a heart, folks! And that same heart chose to return the medicine to the needy people of Paradiso. I still can't speak for his ethics, but I like him and I hope this compassionate side continues.
A note: in terms of a "space western", jumping from a spaceship to a moving train is one heroic--and fitting--feat.
This comment from River, the gifted and tortured young girl stowing away aboard the Serenity, brought my focus during this episode to Captain Mal Reynolds and his moral character. Soon after River comments upon the meaning of his name, Mal tells the Pastor taking passage on the Serenity (Shepherd Book) that he has room for a pastor on his ship, but not for God. Although this statement does not signify the way Mal lives his life, it says a lot about his beliefs. Following this scene, Mal challenges the moral behavior of the ship's visiting prostitute--or "companion"--although he himself is a professional thief and outlaw. Does this mean that he has a moral compass, or that he's hypocritical? Time will tell. Early in the episode, Mal told Shepherd Book that he was allowing River and Simon Tam to stay aboard because it's "the right thing to do." Jayne, however, threatens this comment by telling Kaylee that Mal "has a move he ain't made yet" and that Mal is considering trading the Tams in for a profit. Again, this suggests that Mal is conniving and self-centered. But is he?
The newest character introduced in this episode was a man named Adelai Niska, a kingpin whose evil deeds make Mal look like a fairy godmother or some other benevolent creature. Was Niska's purpose to foil the viewer's increasing confusion about Mal's character? If so, Whedon certainly succeeded with this devilish man.
As it turns out, the evil Niska hired Mal and his crew to steal medicine that was on a train, bound for sick people who desperately needed it. Mal's response to learning this? "Son of a bitch." The man has a heart, folks! And that same heart chose to return the medicine to the needy people of Paradiso. I still can't speak for his ethics, but I like him and I hope this compassionate side continues.
A note: in terms of a "space western", jumping from a spaceship to a moving train is one heroic--and fitting--feat.
Firefly Reflection: Episode One
I've never watched
Firefly before, but I found this pilot to be very entertaining. As Joss Whedon
planned, it really is a western set in the context of science fiction. It’s
fast paced, a little bit intense, and character-driven. I realized as the
action grew more violent towards the end of the episode that I was very heavily
invested in what was happening, and that I was truly worried about the
characters. When I feel that way about a TV show, I know I like it.
Lately I have been considering the philosophical principle of utilitarianism, and so it’s not surprising to me that I found similar themes throughout the episode. The story of River Tam, the gifted girl who was tortured at a government school, was in my opinion the most riveting part of the episode. Her safety after running away from her tormentors was at great risk, but because she found refuge on the Firefly, the entire set of crew and passengers were also endangered. The “fed” or government mole, Dobson, wanted to get rid of her. The passengers and crew could have gone along with this idea, but instead chose to sacrifice themselves in order to save her life. Of course, this led to questions as I watched the episode. What would I have done? What is the right thing? In this instance, as well as others, I believe that the end never justifies the means, and that River’s life should have been protected at all costs. Thankfully, it was. I believe that, although it was subtle and not blatant, the discussion of the utilitarianism concept was well done.
Other areas of interest after this episode include seeing what will happen to the rest of the passengers. There were some very interesting moments surrounding the presence of a prostitute on the ship and her interactions with the other characters. I look forward to seeing how she will affect the captain and the reverend, as well as watching the rest of the passengers and crew interact and develop as characters.
Lately I have been considering the philosophical principle of utilitarianism, and so it’s not surprising to me that I found similar themes throughout the episode. The story of River Tam, the gifted girl who was tortured at a government school, was in my opinion the most riveting part of the episode. Her safety after running away from her tormentors was at great risk, but because she found refuge on the Firefly, the entire set of crew and passengers were also endangered. The “fed” or government mole, Dobson, wanted to get rid of her. The passengers and crew could have gone along with this idea, but instead chose to sacrifice themselves in order to save her life. Of course, this led to questions as I watched the episode. What would I have done? What is the right thing? In this instance, as well as others, I believe that the end never justifies the means, and that River’s life should have been protected at all costs. Thankfully, it was. I believe that, although it was subtle and not blatant, the discussion of the utilitarianism concept was well done.
Other areas of interest after this episode include seeing what will happen to the rest of the passengers. There were some very interesting moments surrounding the presence of a prostitute on the ship and her interactions with the other characters. I look forward to seeing how she will affect the captain and the reverend, as well as watching the rest of the passengers and crew interact and develop as characters.
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